Allegory of Faith by Johannes Vermeer Essay -- Painting Allegory Faith

Allegory of Faith by Johannes VermeerThe painting, Allegory of Faith, located in the Metropolitan Museum of Art, was created by the Dutch Baroque painter Johannes Vermeer. This study of the painting will focus on the root matter, composition, and the symbolic meaning of the painting in relation to the Catholic faith, as well as the controversy surrounding the success of the painting among modern critics. The characteristic Baroque qualities of this painting will be illuminated through comparison with examples of Dutch 17th century paintings, Vermeers other works, and an analysis of his painting technique and style.The Allegory of Faith is considered to be superstar of Vermeers least successful works by some art historians. The painting features a large, pale skinned woman, whose one foot is resting on a globe while shes staring nowhere in particular in what would appear to be a state of ecstasy. Her left arm is fictionalisation on what looks like an altar with a gold chalice, an open Bible, and a crucifix, while her right hand is holding her left breast. On the marble stem there is an apple with a bite taken out of it along with a snake crushed by some masonry. There is a pallium hanging unconvincingly against a chair and a glass sphere hanging from the ceiling. Finally, on the wall in the background, hangs a painting of the Crucifixion, which has been identified as a work by Jacob Jordaens, a Flemish painter. The Allegory of Faith was possibly painted for the Catholic chaplain in The Hague, Pere Leon, although it ended up with a Protestant collector before it was sold. Even so, the work would have probably been better titled Allegory of the Catholic Faith. This is because its main function is most definitely to be a representation of faith as defined by the Roman Catholic Church. The glass sphere, attached to the ceiling by a ribbon, for example, was taken ... ...hs 61 bland the most important aspect of Vermeers work is the atmosphere created by hi s use of light. It seems to scatter throughout the scene, gently touching the colors while be slightly modified by them. In conclusion, the Allegory of Faith presents an interesting and innovative, if somewhat controversial, effort on Jan Vermeers part. Despite the uncharacteristic choice of subject matter, the painting still possesses most of the qualities of his later work. It also underscores Vermeers allegiance to Catholicism, despite the Netherlands falling under Protestant control. Finally, it is a significant and somewhat laughable work in the Baroque period of art history. BibliographyArasse, Daniel. Vermeer Faith In Painting. New Jersey Princeton University Press, 1994.Bailey, Anthony. Vermeer A View of Delft. New York Henry Holt, 2001. Fuchs, R. H. Dutch Painting. capital of the United Kingdom Thames and Hudson, 1978.Pops, Martin. Vermeer Consciousness and the Chamber of Being. Ann Harbor UMI Research Press, 1984.Snow, Edward. A Study of Vermeer. Berkley University of C alifornia Press, 1979.End Notes